Showing posts with label King Numa of Rome. Show all posts
Showing posts with label King Numa of Rome. Show all posts

Wednesday, April 10, 2019

The Names of Mythical And Legendary Roman Figures Interestingly Align With The Historical Advent Of Complex Family Names In Ancient Rome



Ancient Rome’s creation myth and the legends about its earliest kings are more often than not totally unreliable as historical sources except for as an insight into the Roman sense of self and national identity. T. J. Cornell, a leading authority on the history of ancient Rome, bluntly wrote “In general the narrative accounts of the origins of Rome, from Aeneas to Romulus, cannot be considered historical” and of the early legendary kings such as Numa Pompilius and Tullus Hostilius, he similarly claimed that “the traditional chronology is historically impossible” (The Beginnings of Rome, 1995, pg 80 and 121). Yet, there is one particular concept where traditional folklore and ancient reality seemed to have lined up intriguingly well—in names.

The myths and tales of ancient Rome begin with a long list of people with single-word names. Aeneas sails to Italy. Ascanius succeeded Aeneas and was, in turn, succeeded by Silvius. With the exception of a few anomalies, the folkloric ancestors of Rome’s founders were usually described with one name. A supposed distant ancestor of Silvius was Proca, who fathered two kings: Amulius and Numitor—and Numitor was traditionally the grandfather of the famous twins, Romulus and Remus.

According to tradition, Romulus’ mythical reign as the first king of Rome was dated to around 753-717 BCE. In terms of archaeologically-grounded history, the supposed reign of Romulus does correspond with a time of urbanization in the Roman region, as there are tangible signs that a powerful and wealthy Roman aristocracy had formed by the late 8th century BCE and especially in the 7th century BCE.

Around the same time that Rome and its Italian neighbors were undergoing urbanization, there was also a name revolution spreading in the region. Around the early 7th century BCE, the Etruscans of Etruria had begun labeling themselves with more complex names that had family and clan identifiers. The Romans were not far behind, adopting the practice of using longer, more complex, names by the end of the 7th century BCE. Interestingly, the names of the legendary kings after Romulus (whose mythical reign ended in 717 BCE), correlate to that name revolution. Romulus had a co-king named Titus Tatius. Romulus’ successor was Numa Pompilius (traditionally dated r. 716-674 BCE) and after him came Tullus Hostilius (r. 673-642 BCE), then Ancus Marcius (641-617 BCE). With the rise of the Tarquin family, the names became even more complex. First there was Lucius Tarquinius Priscus (r. 616-578 BCE), then Servius Tullius (r. 578-534 BCE), and finally Lucius Tarquinius Superbus (r. 534-509 BCE), who, according to tradition, was overthrown by Lucius Junius Brutus and Lucius Tarquinius Collatinus in 509 BCE. Although much of the ancient accounts of pre-Republic Rome cannot be reconciled with historical evidence, tradition and archaeology do align surprisingly well on the advent of more complex names in Italy.

Written by C. Keith Hansley.

Picture Attribution: (Painting of the legendary Roman dictator, Cincinnatus, painted by Juan Antonio de Ribera (1779–1860), [Public Domain] via Creative Commons).

Sources:
  • The History of Rome by Livy, translated by Aubrey de Sélincourt. New York: Penguin Classics, 2002.
  • The Beginnings of Rome by T. J. Cornell. New York: Routledge, 1995.

Wednesday, March 6, 2019

The Dancing Warrior-Priests Of Rome



If someone were to travel back in time and walk the streets of ancient Rome (especially during the month of March), that time-traveler might come across an odd band of twelve flamboyant men singing and dancing in elaborate outfits and conical caps along the roadway. The dancers did their jig to a catchy triple-beat rhythm they produced by clashing together two objects that they held in their hands—a wooden pole and a large oblong mass that was shaped like an hourglass. The troupe combined the rhythm, dance and singing into a choreographed show that was a fan-favorite in Rome.

Looking closer at the dancers, odd details would emerge. Some of the wooden poles carried by the dancers had spearheads. The oblong masses turned out to be shields. In addition to the fancily-embroidered tunics, the dancers also wore bronze breastplates over their torsos and swords at their hips. The performers, themselves, were not average entertainers, but actually highborn patricians who would likely one day hold lofty positions in the military and government. The chants and songs they sang were not idiotic, simple crowd-pleasing tunes, but verses about war, warriors, and the Roman war god, Mars. These were the Salii of Mars Gradivus, the Leaping Priests of the god of war.

According to the ancient Roman scholars, the Salii were one of the oldest religious orders in Rome. It was so old that the origin of the Leaping Priests was placed within the fog of ancient Roman myth. According to tradition and folklore, the first Salian order was founded by King Numa, the successor of Rome’s mythical founding father, Romulus. As Numa was dated by Roman tradition to the 8th-7th century BCE, the dance of the Salii allegedly long predated written Roman records about their own history.

The prized possessions of the Leaping Priests were their ancilia, the hourglass-shaped shields wielded by the priests during their dance. As the story goes, the original shield, the ancile, miraculously fell from the heavens and was recovered by King Numa. That original divine relic served as a blueprint for eleven more replica ancilia, which were indistinguishable from the original shield—presumably a disincentive against theft. The ancilia were so revered that they were stored with honor on the Palatine Hill (where the Salii of Mars Gradivus were based), and it is possible that the famed Vestal Virgins of Rome had a role in watching over the sacred shields until the Salii requested them for their ceremonial dances. After the Leaping Priests completed their war dance, which occurred at the start and end of campaigning season, the sacred shields were once again stored until the next dance. Although the Salii of Mars Gradivus were reportedly the first order of Leaping Priests, the movement spread to form chapters in other cities and new Salian orders were also created to worship different gods.

Written by C. Keith Hansley

Picture Attribution: (Scene of Salii ancilia shields depicted on an ancient ring found in Florence, [Public Domain] via flickr.com and Creative Commons).

Sources:
  • The History of Rome by Livy, translated by Aubrey de Sélincourt. New York: Penguin Classics, 2002.
  • http://penelope.uchicago.edu/Thayer/E/Roman/Texts/secondary/SMIGRA*/Salii.html 
  • https://www.britannica.com/topic/Salii 
  • https://babel.hathitrust.org/cgi/pt?id=pst.000002088211;view=1up;seq=297 
  • https://www.britannica.com/topic/Mars-Roman-god 
  • https://pantheon.org/articles/g/gradivus.html 
  • http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0063%3Aalphabetic+letter%3DS%3Aentry+group%3D1%3Aentry%3Dsalii-cn