She also may be the mother of hymns, poetry and verse, and likely influenced Homer and the authors of the holy texts of Abrahamic religions
(Calcite disc of Enheduanna discovered by Sir Leonard Wooley in 1927
depicting Enheduanna and her attendants, photographed by Mefman00 and cropped,
[Public Domain] via Creative Commons)
Enheduanna was born in Akkad (thought to be within modern Iraq),
the capital city of the Akkadian Empire, which may be the world’s first multi-ethnic empire. While
dating the lives of people from earth’s most ancient civilizations is often
unreliable, the scholars seem to be comfortable placing Enheduanna’s life
between 2285 and 2250 BCE. Enheduanna was an incredibly bright princess, was the daughter of the empire’s
equally brilliant king, Sargon I of Akkad (2334-2279 BCE), also known as Sargon
the Great.
Sargon the Great recognized
the competence and wisdom in his daughter, and decided to use Enheduanna to his
own advantage. The king promoted her to be the high priestess at the
temples of Uruk and Ur. Her position as high priestess of the moon god, Nanna
(also known as Sin or Suen), in the city of Ur, was by far the highest religious office of
her day. As high priestess, Enheduanna ruled effectively, cultivating support
for her father and tying the Akkadian and Sumerian religions and cultures
together. She also survived a period of exile, when a rebel forcibly removed
her from her priesthood. Her nephew, to the priestess' relief, quickly crushed the rebellion and restored
her to power. Enheduanna did not, however, spend her more than forty years as
high priestess solely administrating—she managed to find time to write.
From what archeologists have
discovered, Enheduanna wrote poems, hymns and prayers. Her writings are the
oldest so far discovered to have been signed and claimed by a specific author.
Enheduanna, as far as we know, also was the first person in history to use the
first-person style of writing, describing her hopes, wishes and emotions from
her own point of view in her poems and prayers. Though Enheduanna was a
priestess of the moon god, Nanna, most of her works are devoted to Inanna, a
Mesopotamian goddess of love that later cultures would compare to Ishtar and
Aphrodite. Many of the priestess’ hymns have been recovered and translated
including “The Exhaltation of Inanna” (Nin-me-sara), “Inanna and Ebih” (In-nin me-hus-a) and “Lady of the Great
Heart,” also known as Hymn to Inanna.
Written by C. Keith Hansley
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